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Beijing
Lugouqiao ( Marco Polo) Bridge
Lugouqiao
(literally the Bridge Over the Reed Ditch) has been
made famous by at least three historic events: Marco
Polo's description, Emperor Qianlong's inscription
and the outbreak of the War against the Japanese Aggressors.
Officially the bridge was called the "Lugou Stone
Bridge", and it was built completely of white
stone and looked majestic with a total of 485 stone
lions lined on the balustrades of both sides. Apart
from minor maintenance repairs made during subsequent
dynasties, historical records show that it underwent
a major restoration in 1689 after two arches had been
washed away by floods. It was on that occation that
the river was renamed Yongding (Eternal Stability),
but the name of the bridge remained Lugou.
Marco
Polo, the great Italian traveller, saw it towards
the end of the year 1276 during his tours in China
under the Yuan Dynasty. In the book of travelogues
bearing his name, which came out years later, Marco
Polo gave a detailed description of it:"... a
very great stone bridge... For you may know that there
are few of them in the world so beautiful, nor its
equal ... It is made like this. I tell you that it
is quite three hundred paces long and quite eight
paces wide, for ten horsemen can well go there one
beside the other ... It is all of grey marble very
well worked and well founded. There is above each
side of the bridge a beautiful curtain or wall of
flags of marble and pillars made so, as I shall tell
you ... And there is fixed at the head of the bridge
a marble pillar, and below the pillar a marble lion
... very beautiful and large and well made."
This description earned the bridge its name, Marco
Polo, in the Western World. However, Marco Polo may
have suffered a slip of memory when he gave the number
of arches of the bridge as 24 instead of the 11 that
it has always had.
Incidentally
it may be interesting to note that Marco Polo called
the bridge "Pulisangin". This is because,
as some scholars point out, the upper course of the
river Lugou or Yongding is the River Sanggan, and
the river itself may have been known at the time as
Sanggan or Sangin. As for "puli", it came
from Persian word "pul", which means bridge.
Therefore, Pulisangin was an international coinage
for the "bridge on the Sanggan River" -
a name highly indicative of the amount of intercourse
between China at the time and countries to her west.
Almost
from its very inception, namely in the Mingchang period
(1190-1208) of the Jin Dynasty, the bridge was listed
by travellers and men of letters as one of the "Eight
Scenic Spots of Yanjing (Beijing)" under the
descriptive title "Lugou Xiaoyue" or Moon
Over Lugou at Daybreak (The Morning Moon Over Lugou
Bridge ).
Substitutions
and rewordings were made in the listing of the eight
subsequent periods under the Yuan, Ming, and Qing
dynasties; but " Lugou Xiaoyue" has remained
throughout. In 1751 Emperor Qianlong of the Qing Dynasty
(1644-1911) personally edited the poetic titles for
the eight views of Beijing, and wrote in his elegant
hand the inscriptions for the steles marking the respective
beauty spots, including the " Lugou Xiaoyue"
tablet which still stands on guard by the Bridge.
Less
than two hundred years after the erection of the stele,
the Bridge witnessed, in July 1937, the Japanese aggressors
provoking Chinese troops into a protracted war of
resistance ending only in 1945; but the Bridge itself
had been largely spared the ravages of war. For this
and other reasons, the Marco Polo Bridge has been
a favourite subject for Chinese poets and painters.
And ancient pictures of the Bridge are of particular
interest to scholars and historians.
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